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May 03 2013


Have no idea of Photograph a Portrait - Composition

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What part does COMPOSITION play in creating Portraits?

In past articles I've given definitions of PHOTOGRAPHY and PORTRAITS, talked about ARTISTIC INTENT, Organising a Portrait, and LIGHTING and CAMERA ANGLES. In COMPOSING a Portrait you should consider the Intent along with the Mood which is to get portrayed.

This issue could be looking into the camera... you aren't, with regards to the Intent...

If the Portrait will be of one individual, the COMPOSITION changes than for a Portrait of an couple... and a Group or Family. Again, the Facial Expression, and quite often our bodies Language or Pose are integral, and so the purpose of other elements inside the Composition is usually to support or influence the perception of the subject's Personality and or Mood.

If your Portrait is usually to be associated with an individual in a room, the question becomes, "Is there something that would increase the story with this Portrait that may be included as a prop?" If you do, then by all means include it... Or even, then don't add anything.

However, space itself - or perhaps the environment - is actually a compositional element! In many, or even many instances, in a individual portrait, the niche will fill the frame, or perhaps over fill the frame such as in the event the top of your head is cropped over to emphasize your eyes and facial expression.

If the individual is outdoors, then this environment becomes either a different "personality" from the composition, or perhaps a credentials. If the environment is to be fundamentally the background, then again the subject will fill the frame, along with the background will likely be dumped of focus.

If on the other hand environmental surroundings will be utilized in the composition as an identifying element, the niche could possibly be placed to one side from the frame in order to permit the environment to bring about the sense in the portrait.

If the portrait is of a group, such as a family, then even though the facial expressions remain of top importance, mannerisms or pose becomes equally important because now the portrait will want to show the relationships within the family or group.

For that reason, I have faith that interpretive portraits tend to be expressive. Then the family is involved in a task together, as an alternative to looking straight into the camera.

However, precisely the same rules apply as much as the composition. When the portrait will be produced in an area or studio, then unless a prop create to the "story" of the portrait, don't include any. In the event the portrait will be manufactured in environmental surroundings, this must be included being an additional "personality" to further improve the complete sense of the portrait, or it should be minimized and thrown out of focus, and also the people fill the frame.

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